YVETTE MIMIEUX (1942-2022)
After a few modest roles in movies and TV, she made it big when picked to play "Weena" opposite Rod Taylor in 1960's The Time Machine. Under contract at MGM, she became noted for playing "sensitive" roles, like a mentally disabled girl in Light in the Piazza (1962), a ch|ld bride in Toys in the Attic (1963), or a surfer suffering from leprosy on an episode of Dr. Kildare.
Her career slowly declined; she worked most often in TV movies after the 60s. It might not have been her fault that she got stuck with crappy roles. Pauline Kael once called her “a much better actress than the parts she gets.” Roger Ebert, the Chicago Sun-Times critic, agreed. “Miss Mimieux is better than I imagined she could be,” he wrote when reviewing “Three in the Attic,” a dark 1968 sex comedy. “She gets stuck in a lot of hopeless roles.”
She did some writing, penning the script for 1974's TV movie Hit Lady, where she played the title role. More TV movies allowed her to broaden her range, but she still lamented that actresses like her were so often typecast. “The women they write are all one dimensional,” she said. “They have no complexity in their lives. It’s all surface. There’s nothing to play. They’re either sex objects or vanilla pudding.”
She retired from acting in 1992, devoting her time to real estate, selling crafts inspired by Haitian folk art, and studying archaeology.
She kept her personal life private, and her funeral will be a private ceremony, too.
A young Yvette (date unknown):