MR> I don't really know how I am supposed to interpret that comment??? Maybe you, shadowcom, would like to shed some light... ???Rhiannon
Well, I hope, that you'll read it only if you really wish to get this comment (as usual, as all opinions of mine, this one is not pleasant). This is my own IMHO, and I don’t pretend to be a representative-voice of majority (or even of minority) of members of this thread of BEA Forum or of any group of your admireres.
You see, about 2 years ago we have already discussed the so-called “Phenomenon of Mistress Rhiannon” in this Forum. More exactly we examined the question and the role of really Big bust in your performance.
For most of BB models big artificial implants are considered like an opportunity to increase an effect of theirs femininity, to look more attractive, beautiful, etc. For some of them this is an opportunity to minimize an effect of age (unfortunately the years are not our best achievement), for others this is an opportunity to resolve some psychological complexes, appearing because of absence of natural physical attraction, - huge breasts implants help them to look more attractive even if compared to theirs more beautiful girl-friends. For some women, extremely big busts were an opportunity to gain money – in the middle of 90th “huge siliconed” beauties were the objects of common attraction not only in USA but also in some countries of Western Europe. But for all of these women the main objective of all kinds of cosmetic surgery was a necessity to increase an effect of theirs femininity, to start to look more attractive for men, more feminine.
And finally we have the so-called “Phenomenon of Mistress Rhiannon”. The phenomenon of the woman, who managed to transform her body into the living sample of femininity grotesque, with help of cosmetic surgery. As an example, how the woman will look then all her feminine traits will reach theirs possible, impossible and over possible maximum, transforming her into some kind of paradoxically attractive human-like creature (sample: poor Lolo Ferrari). Into the sample of transformation of woman’s femininity into femininity grotesque. Impressive and shocking. Like a unique sample of modern cosmetic body art.
Of course, there is a lot business here. Iron muscled body, unhealthy white skin, plenty of tattoos, inflating and day-by-day huge balloons of breasts, over pumped by silicone horse-like red lips, long black hairs with no opportunity to see the woman’s eyes (I always wanted to see, how your face looked before all these cosmetic surgeries), provocative performance, clothes and cosmetics – these are the real discoveries for the woman, performing the play of Vamp-woman, or of Mistress of domination. Even more – this person can be sure for 100%, that there will not be any competitors for her in this field of business. “Elvira is unique” ( (c) - movies), - the same can be said about you, Mistress Rhiannon.
But the question is different. Business is business. Personal preferences are personal preferences. But woman’s body also has its biological limits. What do you plan to do, then you’ll reach these limits ? When will not be anymore any opportunity to add even 1 mg of silicone into your lips and breasts to inflate them more, when your skin will be already strained like that one of drums? Your current business requires that you continuously modify yourself, adding more and more grotesque into your feminine performance. Being the fan of BB I can only appreciate your BB efforts, - but only them. The end of this process for you is already close. And every injection of silicone makes it closer. And with every injection of silicone your woman’s grotesque transforms more and more into ugliness, like previously with every injection of silicone your femininity transformed into grotesque.
Woman’s grotesque also has its limits of human perception. Then grotesque reaches its limits, we have only to say “Oh, my God…”, - and nothing to say more. And this is a real nightmare for any woman, then people start loving her because of her ugliness, and not because of her intellectual and cultural level, her femininity or even because of her grotesque performance of femininity. And it’s very difficult to understand in time, - there locates the limit-line between grotesque and the ugliness of nightmare, transforming the woman into caricature.
Conclusion: Mistress Rhiannon: “Welcome to my nightmare” (prev. (c) by Alice Cooper)