I should have caught this earlier this month, when Greece declared three days of national mourning in his honor.
MIKIS THEODORAKIS (1925-2021)Mikis was a large man, with a full head of curly black hair, a piercing gaze and a presence I can only recall as overpowering. He would bend singers and orchestras to his will, shape audiences, charm crowds, and issue ringing calls for political action and pay—frequently—for his audacity and daring. For his rich creative life was punctuated with long periods of exile in remote islands or mountain villages, with tuberculosis, with death-threats from political adversaries who had already killed....
Trained in classical composition, he already possessed the technical tools he needed. The next step, only a man of his political convictions could have achieved. As a member of the Greek Communist Party he set to music the words of Greece’s communist poets. This he did in a musical idiom drawn from the urban sub-proletariat and the working class. Its instrument was the bouzouki; its roots were in the Greek-speaking communities of Turkish cities like Izmir and Istanbul.
Suddenly these songs were on everyone’s lips. They spoke now of political oppression, resistance and struggle; of a mother’s mourning for her dead son.
But Theodorakis did not stop there. He set to music—and brought into the country’s cultural mainstream—Greece’s two Nobel laureates, George Seferis and Odysseas Elytis. Overnight, their poetic elegance and transforming language now belonged to millions. He wrote a cantata called Mauthausen, about the Nazi forced labour camp in Austria and so brought the horrors of Nazism to a nation that had looked the other way when the Jewish population of Salonica was deported en masse and exterminated in 1942.
He broke with the Communist Party, but remained faithful to its guiding principles. “I lived as a communist and I wish to die as one,” he wrote to his former comrades in the days before his death.
"Remembering Mikis Theodorakis", Fred A. Reed,
Counterpunch, 9/10/21
Some of his music made it over to the US, in movies.
You may not know of this one:

I'm sure you know the movie, even though you don't know the music:

And COME ON - Is there anything more "Greek" than this?
